(Kevin Burke/2016/USA)
A
documentary tracing the history of movie poster art which races
through the early years and very quickly focuses on the modern day
phenomenon of Mondo Art. It’s still an interesting and informative
watch, providing a base point for further research for anyone
interested, but personally I expected to see a lot more history. The
initial birth of movie posters is dealt with briefly before a cursory
mention of the likes of Reynold Brown and Albert Kaliss and their
distinctive 1950’s and 60’s artwork. Too quickly talk moves onto
the 70’s and 80’s and focuses on how iconic the poster art became
in relation to movies like Apocalypse Now, E.T., Jaws and so forth.
Bob Peak, John Alvin and Roger Kastel are all given their due as
progenitors of an art form that became so integral to the film
industry that they were often involved with the producers and
directors directly. The decline of commissioned paintings by the
early 90’s to be replaced by star portrait type posters that lacked
creativity or imagination is blamed on the advance of graphic image
tools, the rise of celebrity and increasing control actors have over
their image as commodity. This allowed the traditional movie art of
previous years to become fetishised and led to the creation of Mondo
Art in the early 2000’s. It takes all of 30-40 minutes to get to
this point and the next 50 minutes looks at the present day industry
around artists making their own pieces for films, often unlicensed,
to feed a geeky audience who collect the artworks similar to comics
or toy collectors. The recognition within the film industry that
these artworks garner a lot of attention and sales is slowly creeping
in and the possibility of a resurgence in commissioned artworks for
movie posters is increasing. It’s a good, enlightening film but I
would have liked to have seen a lot more of the origins and early
years of movie poster art.
(3/5)
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