Wednesday 13 June 2018

Wake in Fright

(Ted Kotcheff/1971/Australia & USA)

©Vranckx
John Grant, an Australian school teacher in an outback town, packs up for the Christmas holidays to head back to Sydney and his waiting girlfriend. However his journey goes awry as he awaits a flight in the sweltering heat of “The Yabba” and he begins a series of encounters that take him on a hellish journey to the lower echelons of humanity. Wake in Fright is like an Australian Aguirre crossed with Deliverance. It touches on some menacing, repressed aspect of Australian psyche but projects it out, expands it to a universal theme of underlying animal instinct. The oppressive, heavy atmosphere of heat and testosterone hums off the screen as Grant relentlessly wades into ever more brutal scenes. The kangaroo hunt in particular is still controversial; it certainly wouldn’t get made today or passed by the censors. But Kotcheff is an avowed vegetarian and fully stands by the scenes.


It’s an essential, early example of Australian New Wave and the genesis point for a long line of films that use the extremes of the Australian landscape and culture to examine extremities of human behaviour in a variety of cinematic genres; films such as The Cars That Ate Paris, Picnic at Hanging Rock, Mad Max, Razorback and Red Hill amongst others. Wake in Fright is visceral and shocking but in a more considered way than a lot of modern Australian films that attempt to shock and overindulge in gore without necessarily provoking thought.


(3.5/5)

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