(Jim Hosking/2016/USA)
Serial
killing, an obsession with grease laden hot dogs, lurid sex scenes
and rampant dysfunction, The Greasy Strangler is an exercise in
grotesquery that wilfully and gleefully attempts to churn audience’s
sensibilities along with their stomachs. You can’t deny this film
its quirk of style and definite sense of the absurd and surreal but
it also provokes the question as to what it’s all about or what’s
the point of it? Is it really worth trying to break it down to some
sort of allegory for the disaffection of modern life or analysing it
as a comic horror parable of modern America? Nope, you either go
along with it for the kicks or you don’t and it works its churn on
you. Hosking sets out his stall with no small degree of assuredness
and competence as a film maker. He’s no John Waters though and you
wonder what boundaries he’s pushing at exactly as he’s on old
ground really. I’ll admit to a sense of relief when the end credits
rolled.
(2/5)
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