(Owen Harris/2015/UK)
I don’t
know what the book of the same name by John Niven is like; it was a
best seller apparently, but this film is a mess. It just doesn’t
know what it wants to be. It starts as an acidic take on the music
business but a lot of the humour is neither as incisive nor witty as
the rapid fire voiceover would have you believe. Nick Hoult’s
character Steven is a deliberately repugnant and smarmy twat so when
he kills his first pal it looks like it’s going to be a comedy of
black humour following this A&R mans murderous ambition. It’s a
good metaphor for the cut throat music industry and maybe this should
have been the path followed but it starts taking itself too
seriously. Things begin to come apart for Steven and he falls flat on
his arse in a cocaine and alcohol binged descent into hell. The
entire middle section goes off on this personal crisis, which is
neither here nor there as he’s an unsympathetic character to begin
with and Harris forgets to play it for laughs. Steven pulls himself
together and starts back stabbing work mates and climbing to the top
again. There is another murder but for a film called Kill Your
Friends you can’t help feeling a bit short changed at two killings.
By the time our hero has established himself as the king of A&R
it’s hard to care about anything or anyone you’ve just seen
onscreen. Everyone in the film is purposefully reprehensible with few
redeeming qualities, I get it, the music business is scummy and we’re
poking fun at it but the humour is second rate and the tonal shift
from comedy to dark personal hell doesn’t work before trying to
claw back the satirical punch line at the end. It’s really just a
waste of time.
(1/5)
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