(Jud Yalkut/1967/USA)
A
conceptual examination of Japanese artist Yayoi Kusama’s art and
style, these 20 odd minutes of film liken Kusama’s idea of
self-obliteration to a psychedelic trauma which ends in rebirth and
the genesis of the artist. Seriously trippy stuff with an exemplary
soundtrack infused with chanting, mini drones and ecstatic
minimalism.
(3/5)
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