(Richard Ayoade/2010/UK
& USA)
Shamelessly
mimicking 60’s Godard, right down to the blue and red inter scene
titles but meshed with a quirky, Wes Anderson-esque aesthetic this
coming of age story manages to transcend its reference points and
carve out its own charming niche of adolescent cinema. It’s a story
about a boy and a girl and their discovery of the realities of love
and relationships. The trajectory is nothing new, a refusal to accept
the inconsistencies of the world around them leading to shared
rebellion before it all goes wrong and a new understanding and
acceptance of life’s rough edges dawns. The characters are well
drawn, eccentric and “hip” with superlative acting throughout.
Submarine wears its pretensions on its sleeve and carries off an at
times pointedly dry wit but is unafraid to go for straight forward
gags too. Neither is it afraid to present the naked sentiment of two
teenagers trying to make sense of their place in the world and some
of the scenes around the run down industrial port are beautiful for
this reason. You should, by the end, have warmed to Oliver and
Jordana and enjoy the trip they take from naivety to slightly less
naive.
(3/5)
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