Monday, 10 September 2018

Bone Tomahawk

(S. Craig Zahler/2015/USA)

Fusing Western and Horror with aplomb Bone Tomahawk is reminiscent of From Dusk ‘til Dawn in the way it builds to a point past which you can do little but ask what the actual feck. The story is one of a lawful posse pursuing those who have infringed upon the peace of a small town, in this instance the “troglodytes”, a particularly savage clan of native Indians who have abducted three people. So warped and degraded that they are repugnant even to The Professor – a local, integrated native Indian who warns against any interaction with them with fear in his eyes and words. This bypasses any accusations of misrepresentation I guess but really the troglodytes are no different to the hillbillies in Deliverance or The Texas Chainsaw Massacre – a representation of evil incarnate and this is a horror western so pushing the trope of the savage Red Indian to an extreme is fair game.

Much of the enjoyment of Bone Tomahawk is in the journey across the desert of the sheriff Franklyn Hunt (Kurt Russell), his deputy Chicory (Richard Jenkins), the boastful Brooder (Matthew Fox) and cowboy Arthur O’Dwyer (Patrick Wilson). The conversation and interplay of characters is great and solidifies the sympathy of the audience before the onslaught of the last half hour or so. The final act is where the slow build is rewarded with a payoff of such visceral bloodletting that I was still squirming while the credits rolled. It is not for the squeamish. I often question depictions of violence elsewhere and criticise their necessity or value but here, considering the effort and quality of the storytelling to get to the confrontation with the savages, Zahler has earned the right to shock and horrify us. The reality of meeting such brute depravity is matched in the grim determination of the protagonists to survive. Bone Tomahawk is a smart film that takes well worn threads of disparate genres and weaves a new coat.

(3/5)

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