(Argyris Papadimitropoulos/2016/Greece)
Kostis, one of
the unhealthiest looking Greek men I’ve ever seen, lands on a small island
during the winter season to take up a position as doctor. He settles into the
quiet, traditional community and meets some locals one of which ensures him the
summer season brings plenty of opportunity with women. Kostis is middle aged
and a bit of a loner. During the summer he encounters Anna, a twenty something
tourist when he treats her for a bad cut on her leg. This is the starting point
from which he slowly ingratiates himself into her circle of travelling companions. Neglecting his practice he spends more and more time on
the beach, drinking and carousing with his new found friends. By night he
parties further and fuels an infatuation with Anna which is casually and maybe naively reciprocated by her. Not realising the depth of
feeling he is nurturing for her Anna sleeps with him but when Kostis becomes
possessive and angry she cuts off from him. Now alienated by the gang he begins
to properly spiral into an implosion of self destructive and sociopathic
behaviour. The final scenes are nightmarish and Kostis eventually breaks down
realising how repugnant he actually is.
On the surface
Suntan is an examination of loneliness and a cautionary tale about awareness of
whom you’re keeping company with. But it could also be taken as allegorical to
Greece. Kostis is embedded in an old fashioned society, one
stuck in its ways but one which values the community and its traditions. He
abandons his responsibility to this community much as the plutocratic Greek
administration has done to its citizens. Anna and her friends are young, modern
and sexy. They live it up on holiday and Kostis’ beguilement with them destroys
him. His unhealthy pallor worsens the more involved he becomes. It might be a
stretch but I see a parable of the recent economic collapse as a subtext in
Suntan. Outside of these musings it’s a great film that builds steadily to a
catastrophic and unsettling finale.
(3.5/5)
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